Lucian of Samosata (c. AD 120–180)
Syrian-Greek writer responsible for the first fictional accounts of extraterrestrial
life. Lucian, whose parents had hoped he might become a sculptor, made a
fortune by traveling around Asia Minor, Greece, Italy and other lands giving
entertaining speeches, before settling down in Athens to study philosophy.
This was a time – the second century AD –
when faith in the old gods had all but evaporated, Greek culture and thought
was in decay, and the great literature of Greece at its height had given
way to shallow novels of adventure or romance. All this was grist to Lucian's
satirical mill and in his two extraterrestrial stories – precursors
of science fiction – he parodies the kind of feeble fantasy that had
become popular. The concluding sentence of the preface to his True History
reads: "I give my readers warning, therefore, not to believe me." And with
that he launches into a tale of a group of adventurers who, while sailing
through the Pillars of Hercules (the Strait of Gibraltar), are lifted up
by a giant waterspout and deposited on the Moon. There they find themselves
embroiled in a full-scale interplanetary war between the king of the Moon
and the king of the Sun over colonization rights to Jupiter, involving armies
which boast such exotica as stalk-and-mushroom men, acorn-dogs, and cloud-centaurs.
The human inhabitants of the Moon are also remarkable:
Amongst them, when a man grows old he does not
die, but dissolves into smoke and turns to air [a convenient ploy for
disposing of dead aliens also used in more recent science fiction, such
as 'The Man Trap' and 'Catspaw' episodes of the original Star Trek series].
They all eat the same food, which is frogs roasted on the ashes from a
large fire; of these they have plenty which fly about in the air, they
get together over the coals, snuff up the scent of them, and this serves
for their victuals. Their drink is air squeezed into a cup, which produces
a kind of dew.
Lucian may be off here in Cloudcuckooland (or almost – the trip to
the city of Nephelo-coccygia (the cloud cuckoo) actually comes later in
the book) but it is interesting that, in his space odyssey, he portrays
the Moon and planets as being genuine worlds with unique life-forms of their
own. In fact, for many centuries, Lucian's adventure was highly regarded,
not as pure fantasy but as speculative fiction, much as we might treat an
SF novel by a respected scientist-author today. An example of this is buried
in the footnotes of an 1887 edition of Lucian's work (Cassell's National
Library series, p. 83). The original translator, one Thomas Franckling,
Greek Professor at the University of Cambridge, writing in 1780, had this
to say at the point where the Earth is seen suspended in the lunar sky as
if it were itself a mere satellite: "Modern astronomers are, I think agreed,
that we are to the moon just the same as the moon is to us. Though Lucian's
history may be false, therefore, his philosophy, we see, was true." In parentheses
after this, the editor of the Cassell edition has inserted the terse comment:
"The moon is not habitable, 1887."
In his second space story, Icaro-Menippus, Lucian is again bound
for the Moon, this time in the footsteps, or rather the wing-flaps, of his
hero who has improved on the ill-fated scheme of Icarus. To his incredulous
friend Menippus the hero explains: "I took, you know, a very large eagle,
and a vulture also, one of the strongest I could get, and cut off their
wings." Lucian, like many who followed him made no distinction between aeronautics
and astronautics, assuming that normal air-assisted flight and breathing
are possible on voyages between worlds. Then through his hero, he lets rip
on the presumptuousness of earlier philosophers to know about the nature
of the universe and life beyond the Earth:
... to think that men, who creep upon this Earth,
and are not a whit wiser, or can see farther than ourselves ... should
tell us the size and form of the stars ... that the sun is a mass of liquid
fire, that the moon is inhabited ...
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